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Bruce Springsteen grew from a dishevelled, bearded singer of youthful street ballads to become the hottest name in the rock world - twice. The resilience of the New Jersey troubadour has seen him top the album charts in four successive decades, and his epic world tours with the legendarily hard-working E Street Band are still sell-outs well into the new millennium. Once seen as another Bob Dylan wannabe, Springsteen became rock's definitive chronicler of blue-collar life and inheritor of the spirit of Woody Guthrie. When the world needed a compassionate artistic statement, he delivered. This guide examines the growth of Bruce Springsteen's career, from the optimistic youth who wrote Born To Run to the respected heavyweight songwriter of today.
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An informed, engaging and accessible introduction to the Christie phenomenon, examining all her novels and short stories. This edition has been updated to include new material on all recent film, TV and literary adaptations. Agatha Christie is the most popular novelist in the world. With total sales of 2 billion books (4 million a year in the 21st Century) she is outranked only by Shakespeare and the Bible. Since her debut in 1920 with The Mysterious Affair At Styles, Agatha Christie has become the chief proponent of the English village murder mystery. Although she created two enormously popular characters - the Belgian detective Hercule Poirot, and the inquisitive elderly spinster and amateur sleuth Miss Jane Marple of St Mary Mead - it is not generally acknowledged that she wrote in many different genres: comic mysteries (Why Didn't They Ask Evans?), atmospheric whodunnits (Murder On The Orient Express), espionage thrillers (N or M?), romances (under the pseudonym of Mary Westmacott), plays (The Mousetrap) and poetry. She was never afraid to break the rules either, and provoked a storm of controversy with the unorthodox resolution of The Murder Of Roger Ackroyd, now acclaimed as one of the classics of British crime fiction. Christie wrote complex whodunnits in a clear, readable style, which is why her books are as popular now as they were when she first wrote them. Exemplary film and TV adaptations (Peter Ustinov and David Suchet as Poirot, Margaret Rutherford and Joan Hickson as Miss Marple), have also encouraged new readers to search out her work.
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Nelson / Victoria Carolan. - [miejsce nieznane] : Pocket Essentials : Legimi, 2015.
Nelson continues to fascinate academics as well as the general public. He is still considered one of Britain's greatest heroes and featured within the top ten of the BBC poll of such figures. But why does Nelson still remain such a prominent figure in the national imagination? Beginning with Nelson's early life and an analysis of the condition and practice of the Navy at the time of Nelson's entry into service, Carolan goes on to examine Nelson's naval battles before Trafalgar, particularly the pivotal Battle of the Nile in which the then Rear Admiral Horatio Nelson, with a fleet of fourteen ships, captured six and destroyed seven French vessels out of a total of seventeen and in the process achieved one of the most decisive victories in the age of sail and re-established British command of the Mediterranean. Devoting a full section to the Battle of Trafalgar, Carolan looks in detail at the build-up to the battle, the events and progress of the battle, at the Admirals of the French and Spanish navies and explains why the battle was so decisive in the Napoleonic Wars. She goes on to look at the immediate aftermath of Nelson's death and his state funeral and then to his legacy, the building of monuments (particularly Trafalagar Square and Nelson's Column), the development of the Nelson myth, his depiction in film, his value for propaganda purposes during the two world wars and the current state of scholarship on Nelson.
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Brit Noir / Barry Forshaw. - [miejsce nieznane] : Pocket Essentials : Legimi, 2016.
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Barry Forshaw is acknowledged as a leading expert on crime fiction from European countries, but his principal area of expertise is in the British crime arena, as demonstrated in such books as British Crime Writing, The Rough Guide to Crime Fiction and British Crime Film. After the success of earlier entries in the series, Nordic Noir and Euro Noir, he returns to the British Isles to produce the ultimate reader's guide to modern British crime fiction (taking in the best from England, Scotland, Wales, and Ireland). The word 'Noir' is used in its loosest sense as every major living British and Irish writer is considered, often through a concentration on one or two key books, and exciting new talents are highlighted for the reader. Forshaw's personal acquaintance with writers, editors and publishers is unparalleled, so Brit Noir features interviews with (and quotations from) the writers, editors and publishers themselves. The characteristics of the very different writing from London, the regions, Scotland, Ireland and Wales are examined and celebrated. 'Unsurprisingly Barry Forshaw's Brit Noir is a wonderful reference book that any self-respecting and serious connoisseur of crime fiction needs to have on their book-shelf' - Shots Magazine 'A must-have for crime fans: for reminding yourself about old favourites, for finding new authors, and for that "What shall we watch?" moment' - Mystery People Look out for the other books in Barry Forshaw's Noir series, Euro Noir, Nordic Noir, American Noir and Historical Noir, and for his latest book, Crime Fiction: A Reader's Guide.
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From the unbridled sensuality of the orgy scenes in silent Italian cinema, through a topless Sophia Loren in a 1950s historical epic and the image of Silvana Mangano, her skirt provocatively tucked into her underwear, in the neo-realist classic Bitter Rice, to the erotic obsessions of Fellini and the more cerebral but still passion-centred movies of Antonioni, eroticism is ever-present in Italian cinema. And then there are the popular movies: the acres of tanned flesh (both male and female) on offer in the many sword and sandal epics of the peplum era through to the inextricable mix of sexuality and violence in the gialli of such directors as Mario Bava and Dario Argento, in which death and sex meet in a blood-drenched, orgasmic coda. Of course, there's far more to Italian cinema: it is one of the most glorious and energetic celebrations of the medium that any nation has ever offered. For many years, this astonishing legacy was largely unseen, but the DVD revolution is making virtually everything available, from Steve Reeves' muscle epics to long-unseen Italian art house movies. The one characteristic that most of the great (and not so great) Italian movies have in common is the sheer individualism of the directors. And this applies to the populist moviemakers as much as to the giants of serious cinema. While Fellini, Visconti and Antonioni have rightly assumed their places in the pantheon, so have such talented popular auteurs as Sergio Leone, who was doing something with the Western that no American director would dare do, so radical was the rethink. All the glory of Italian cinema is celebrated here in comprehensive essays, along with every key film in an easy-to-use reference format.
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Informative, fascinating and extremely well-researched...Gordon Kerr's book is a mini masterpiece' - ABC Brisbane Situated at the crossroads of three continents, the Middle East has confounded the ambition of conquerors and peacemakers alike. Christianity, Judaism and Islam all had their genesis in the region but with them came not just civilisation and religion but also some of the great struggles of history. A Short History of the Middle East makes sense of the shifting sands of Middle Eastern History, beginning with the early cultures of the area and moving on to the Roman and Persian Empires; the growth of Christianity; the rise of Islam; the invasions from the east; Genghis Khan's Mongol hordes; the Ottoman Turks and the rise of radicalism in the modern world symbolised by Islamic State.
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Witchcraft has recently been undergoing a huge popular revival, but does modern pagan witchcraft really bear any resemblance to its historical antecedents? The witch in history was a very different creature from her modern counterpart, and this book sets out to explore the historical background to the European witchcraft phenomenon. It examines in detail the growth of the ideological, cultural and legal concepts that eventually led to the carnage of the Witch Craze in the 16th and 17th centuries, which, it is estimated, may have claimed the lives of around 40,000 people. For both Medieval and Reformation scholars alike the Devil and all his works were a very real threat. Their conviction that witches were the servants of Satan led to the formation of perhaps one of the greatest conspiracy theories of all time: a belief that witches were working in league with the Devil in a diabolical plot against all Christendom. Witches were transformed from poor deluded old women who rode out at night with the pagan goddess Diana into devil-worshipping heretics who became the focus of a centuries-long, Europe-wide campaign determined to seek out and destroy this evil wherever it was to be found, regardless of whether any of its victims were actually guilty or not.
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The Black Death is the name most commonly given to the pandemic of bubonic plague that ravaged the medieval world in the late 1340s. From Central Asia the plague swept through Europe, leaving millions of dead in its wake. Between a quarter and a third of Europe's population died. In England the population fell from nearly six million to just over three million. The Black Death was the greatest demographic disaster in European history. Sean Martin looks at the origins of the disease and traces its terrible march through Europe from the Italian cities to the far-flung corners of Scandinavia. He describes contemporary responses to the plague and makes clear how helpless was the medicine of the day in the face of it. He examines the renewed persecution of the Jews, blamed by many Christians for the spread of the disease, and highlights the bizarre attempts by such groups as the Flagellants to ward off what they saw as the wrath of God. His book is a vivid and dramatic account of one of the great catastrophes of history.
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The Cathars / Sean Martin. - [miejsce nieznane] : Pocket Essentials : Legimi, 2014.
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Catharism was the most successful heresy of the Middle Ages. Flourishing principally in the Languedoc and Italy, the Cathars taught that the world is evil and must be transcended through a simple life of prayer, work, fasting and non-violence. They believed themselves to be the heirs of the true heritage of Christianity going back to apostolic times, and completely rejected the Catholic Church and all its trappings, regarding it as the Church of Satan; Cathar services and ceremonies, by contrast, were held in fields, barns and in people's homes. Finding support from the nobility in the fractious political situation in southern France, the Cathars also found widespread popularity among peasants and artisans. And again unlike the Church, the Cathars respected women, and women played a major role in the movement. Alarmed at the success of Catharism, the Church founded the Inquisition and launched the Albigensian Crusade to exterminate the heresy. While previous Crusades had been directed against Muslims in the Middle East, the Albigensian Crusade was the first Crusade to be directed against fellow Christians, and was also the first European genocide. With the fall of the Cathar fortress of Montségur in 1244, Catharism was largely obliterated, although the faith survived into the early fourteenth century. Today, the mystique surrounding the Cathars is as strong as ever, and Sean Martin recounts their story and the myths associated with them in this lively and gripping book.
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Gnosticism - derived from the Greek word gnosis, to know - is the name given to various religious schools that proliferated in the first centuries after Christ and, at one time, it almost became the dominant form of Christianity. Yet some Gnostic beliefs derive from the older Mystery traditions of Greece and Rome, and the various Gnostic schools came to be branded as heretical by the emerging Christian church. Indeed, although some Gnostic beliefs are close to mainstream Christianity Gnosticism also held that the world is imperfect as it was created by an evil god who was constantly at war with the true, good God; that Christ and Satan were brothers; that reincarnation exists; and that women were the equal of men As a result, the Gnostics held the Feminine Aspect of God - whom they addressed as Sophia, or Wisdom - in very high regard. They also stressed that we each have a spark of the Divine inside us which, when recognised and developed, will ultimately liberate us from the prison of the material world. Although largely stamped out by the Church by the sixth century, Gnosticism survived underground through groups such as the Bogomils and the Cathars, and influenced the Renaissance, the Enlightenment, the psychologist Carl Jung, the Existentialists, the New Age movement and writers as diverse as William Blake, W.B. Yeats, Albert Camus and Philip K. Dick. In this book, Sean Martin recounts the long and diverse history of Gnosticism, and argues for its continued relevance today.
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The Knights Templar were the most powerful military religious order of the Middle Ages. Formed to protect pilgrims in the Holy Land, they participated in the Crusades and rapidly gained wealth, lands and influence and were answerable to none save the Pope himselffirst bankers, and invented the modern banking system that is still in use today, and were also involved in exploration and engineering.
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Byzantium / Giles Morgan. - [miejsce nieznane] : Pocket Essentials : Legimi, 2011.
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So what's so significant about the Byzantine Empire? It is now recognised as having had a considerable influence on the Renaissance and a significant impact in the shaping modern Europe and modern historians are increasingly acknowledging the role the Byzantine Empire played in the development of both Islam and Christianity, and the relationship between the two. The term 'Byzantine' derives from the ancient Greek city of Byzantium founded in 667 BC by colonists from Megara. It was named in honour of their leader Byzas. It later became better known as Constantinople, that gateway between West and East and played a crucial role in the transmission of Christianity to the West. Constantine is now generally known as the first Christian Emperor, and in recent years interest in him has grown, with his role in the development of Christianity being questioned by Dan Brown, author of The Da Vinci Code, amongst others. A closer examination of this formative period in the history of the church reveals a struggle to gain a coherent and cohesive religious identity. Christianity would emerge as the major religion of the Byzantine Empire in a departure from the pagan worship of the Roman Empire. The Byzantine Empire was often at the centre of profound geopolitical, cultural and religious forces that threatened to pull it apart. When Byzantine forces suffered a terrible defeat at the hands of the Seljuk Turks at the Battle of Manzikert for example, appeals to the West precipitated the First Crusade. In 1204 during the Fourth Crusade, Constantinople was conquered by the Crusader army. The dramatic siege and subsequent fall of Constantinople to the Ottoman Empire is often seen as marking the end of the medieval period. The Byzantine Empire lasted for over a thousand years, created remarkable art and architecture and created a lasting cultural and religious legacy - even its decline and fall was to have ramifications that reached far beyond its borders. The fall of Constantinople which had been a key city on the ancient Silk Road, linking East and West led many to consider the prospect of opening up new lines of trade, sea exploration that would eventually lead to major new discoveries, new routes and new worlds...
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The world of Freemasonry exerts a powerful influence on the modern imagination. In an age when perceived notions of history are being increasingly questioned and re-examined it is perhaps inevitable that secretive societies such as the Freemasons find themselves at the centre of considerable speculation and conjecture. To some they represent a powerful and shadowy elite who have manipulated world history throughout the ages, whilst to others they are an altogether more mundane and benign fraternal organisation. Giles Morgan begins by exploring the obscure and uncertain origins of Freemasonry. It has been variously argued that it derives from the practices of medieval stonemasons, that it dates to events surrounding the construction of the Temple of Solomon and that it is connected to ancient Mystery Cults. One of the major and often disputed claims made for Freemasonry is that it is directly attributable to the Knights Templar, generating a wealth of best-selling publications such as 'The Holy Blood and the Holy Grail' and more recently Dan Brown's 'The Da Vinci Code', linking Freemasonry to a supposed secret order known as the Priory of Sion who are the guardians of the true nature of the Holy Grail. Freemasonry today is a worldwide phenomenon that accepts membership from a diverse ethnic and religious range of backgrounds. Entry to Freemasonry requires a belief in a Supreme Being although it insists it does not constitute a religion in itself. The rituals and practices of Freemasonry have been viewed as variously obscure, pointless, baffling, sinister and frightening. An intensely stratified and hierarchical structure underpins most Masonic orders whose activities are focussed within meeting points usually termed as Lodges. Giles Morgan examines its historical significance (George Washington and Benjamin Franklin were both Masons) and its position and role in contemporary society.
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The Holy Grail is a subject that fascinates and intrigues. Through its various guises as magic cauldron, cornucopia, horn of plenty and chalice cup it has remained at the centre of popular culture from antiquity right up to the present day. An object of marvel and mystery it inhabits a place in mythology that has its roots in historical facts. The Grail has been a major inspiration and catalyst for literature and the arts in Western Culture. From Celtic mythology to the flowering of the medieval romances it has in many ways fulfilled its mythical role as a nurturing and regenerative vessel by providing such a rich and seemingly perpetual source of interest to writers and artists. Charting the emergence of the story of the Grail offers a revealing insight into the cultural shift from Celtic paganism to the emergence and domination of Christianity in Western Europe. The influence of Eastern mysticism emerges in the Grail romances as a result of the medieval crusades with its clash of cultures and subsequent cross-pollination of ideas. The Grail has come to symbolise the ultimate achievement in the modern mind and it became an object of fascination for the psychologist Carl Jung and the poet TS Eliot. Wagner, William Blake and the Pre-Raphaelites are just some of the artists to have fallen under its enduring spell.
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Western civilization began with the Greeks. From the highpoint of the 5th century BC through the cultural triumphs of the Alexandrian era to their impact on the developing Roman empire, the Greeks shaped the philosophy, art, architecture and literature of the Mediterranean world. In this Pocket Essential, Mike Paine provides a concise and well-informed narrative of many centuries of Greek history. He highlights the careers of great political and military leaders like Pericles and Alexander the Great and shows the importance of the great philosophers like Plato and Aristotle. Dramatists and demagogues, stoics and epicureans, aristocrats and helots take their places in the unfolding story of the Greek achievement.
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Alan Moore / Lance Parkin. - [miejsce nieznane] : Pocket Essentials : Legimi, 2011.
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For nearly forty years, from his earliest work in underground Arts Lab projects to his latest work as author of League of Extraordinary Gentlemen and Lost Girls, Moore has pushed the boundaries like few others, ranging from farce and high comedy to the dark, grim work that epitomised the comics revolution of the late eighties. This book examines the recurring themes and how Moore's work has evolved over the years from his early comic work in Captain Britain and 2000 AD, through milestone series like V for Vendetta, Marvelman, Swamp Thing and Watchmen, to his current genre-stretching work. On the way Moore has written definitive stories of America's greatest superheroes Batman and Superman, penned some of the most widely read graphic novels of all time, and helped turn comics into an indispensible art form. In this Pocket Essential you'll meet Moore the pop icon (everyone from the Simpsons to Transvision Vamp have hung out with Halo Jones), Moore the performance artist and magician, Moore the novelist, and above all Moore the writer who helped change the face of comics forever. As well as an introductory essay, this book is a comprehensive survey of Alan Moore's career. It also contains a complete list of his works, including projects that never saw the light of day.
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Celtic Myths / Bill Price. - [miejsce nieznane] : Pocket Essentials : Legimi, 2011.
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Fragments of the rich and complex mythology of the ancient Celts of pre-Roman Europe were preserved in the monasteries of early Christian Ireland and in stories first written down in medieval Wales. The exploits of Cúlchulainn and Fionn mac Cumhaill and of Deirdre and Rhiannon have their roots in the Iron Age and have come down to us from the tales of Celtic bards and storytellers. The myths relate epic stories of heroic ancestors, when the divine and mortal realms were intimately bound up with each other and gods and goddesses inhabited the natural world. The stories are rich with religious symbolism and give an idea of how the Celts perceived the world in which they lived. They also tell of the lives of the people themselves; of kings and queens, husbands and wives, warriors and farmers. Along the Atlantic coast of Western Europe aspects of the oral culture of the Celts persisted against the tide of history and into the modern age. The languages and traditions of Ireland, Scotland, Wales, the Isle of Man, Cornwall and Brittany, together with the surviving myths, provide glimpses back into the Celtic world and are a continuing connection to a culture otherwise known through archaeology and the accounts of classical authors. Recent studies into the genetic make-up of the people of Britain and Ireland indicate a much closer relationship between the peoples of the British Isles, including the English, than had previously been thought, going back further than the Iron Age. This suggests that Celtic mythology could have a resonance with the original Mesolithic inhabitants of the islands and, by extension, with the people who live throughout the archipelago today.
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The publication of The Origin of Species in 1859 was the culmination of more than twenty years of work by Charles Darwin and the ideas he presented in it would lead to a fundamental change in the way we think about life on earth. Evolution, as it came to be known, described how the extraordinary variety of life could develop and adapt by natural means rather than being entirely the creation of a supreme being. It was controversial at the time and now, as the bicentenary of Darwin's birth approaches in 2009, it remains the subject of bitter argument, with the opposing sides of the debate, the supporters of Darwinian evolution like Richard Dawkins and the proponents of intelligent design, as polarised as they have ever been. Bill Price looks at the origins of Darwin's theory and the arguments that have surrounded it ever since.
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Every day thousands of people worldwide consult Roget's Thesaurus. How many stop to consider why that endlessly useful reference book is so called? Of those who know that it owes its name to the man who first devised it, how many know anything more about him? Yet Peter Mark Roget was one of the most remarkable men of the nineteenth century and he achieved much in his long life. He did not even begin the great work of classification which bears his name until he was 70. Before that, the polymathic Roget had already made his own contributions to knowledge in a dozen different fields from optics and anatomy to mathematics and education. He would probably have been surprised that his posthumous reputation rests on his thesaurus. No doubt he would have expected that it would be his involvement in the foundation of the University of London that would be his lasting legacy. Or his books on magnetism, galvanism and physiology. Or his scientific papers on persistence of vision, with their later impact on the development of motion pictures. Or his association with major thinkers such as the computer pioneer Charles Babbage and the philosopher Jeremy Bentham. The range of his interests was astonishing and, for sixty years, he was at the centre of the intellectual revolution of his times. Nick Rennison's biography reveals the full story of Roget's involvement with the great issues and the great personalities of the nineteenth century and recounts the forgotten life behind one of the most famous of all reference books.
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Which British movies are the best that this country has produced? In this volume Don Shiach encapsulates the peaks of the British film achievement from the beginning of the sound era to the first decade of the 21st century. The giant figures of the 1930s, Alfred Hitchcock and Alexander Korda, set a standard for the domestic film industry in its attempt to challenge the domination of the Hollywood film. Many saw the 1940s as the Golden Age of British cinema with directors such as Carol Reed and Michael Powell leading the way in establishing British cinema as worthy of serious consideration. From then on there were as many troughs as there were triumphs, but the industry continues to produce the odd masterpiece to extend the great tradition. Spanning the period from 1929 to 2005, Great British Movies makes a fascinating read, a useful reference book and a must for all fans of British cinema.
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